Actress and soprano Marin Mazzie, a three-time Tony Award nominee identified for powerhouse Broadway performances in “Ragtime,” ”Ardour” and “Kiss Me, Kate,” has died following a three-year battle with ovarian cancer. She was once fifty seven.
Mazzie died Thursday at her Huge apple dwelling surrounded by shut chums and family, mentioned her husband, actor Jason Danieley. Her loss of life was once confirmed by her publicist, Kim Correro.
Tributes came from all in some unspecified time in the future of Broadway, in conjunction with Harvey Fierstein, who wrote “Qualified, bold and absorbing.
A aesthetic assert and a unprejudiced better human being” and Michael Urie, who called Mazzie “radiant.”
Mazzie’s colossal profession went from screwball comedy — in “Kiss Me, Kate” and “Monty Python’s Spamalot” on Broadway and the West Close — to riveting, dysfunctional moms in “Next to Same outdated” and “Carrie.” She earned other Broadway roles in “Man of La Mancha,” ”Bullets Over Broadway,” ”Enron” and “Into the Woods.”
She came upon out about her cancer diagnosis on the opening day of a dwell performance production of “Zorba!” in Would possibly perchance maybe well 2015 and refused to drag out. In a single tune, she sang: “Existence is what you carry out whilst probabilities are you’ll presumably presumably even be ready to die.
Mazzie later underwent a hysterectomy, a bowel resection since the cancer had unfold and weeks of chemotherapy. She returned to Broadway a year later, replacing Kelli O’Hara in “The King and I.
“It’s very emotional for me,” she suggested The Associated Press in 2016. “I’m so anxious and wrathful and overjoyed in recount to narrate, in essence, a brand new me inspire to the stage with what’s gone on in my life.”
The Contemporary York Events mentioned Mazzie introduced “a touch of brass” to the feature of English schoolteacher Anna Leonowens. It praised her for a “husky quietness, and you hear the graceful coronary heart beating below the stalwartly corseted build.
Mazzie was once born and raised in Rockford, Illinois, in a rental on the total stuffed with expose tunes and contemporary forged recordings. She attended Western Michigan College in Kalamazoo to leer theater, and her first job was once in a musical at a dinner theater in her fatherland.
A key second in her life took put when she was once eight years feeble and noticed a touring company of “Carousel” starring John Raitt. In the second act, Rockford was once plunged correct into a blackout and the actors important flashlights to assemble the expose.
After it ended, Raitt came out and sang for the target audience except it was once deemed good for all americans to head dwelling. He sang for forty five minutes. “I would no longer ever neglect that second,” Mazzie recounted in “Making It on Broadway,” a e-book of Broadway stories. “To me, that was once the magic of theater.
Every evening is varied. Every target audience is varied. I real love the magic.”
Mazzie made her Contemporary York stage debut within the 1983 revival of Frank Loesser’s musical, “The put’s Charley?” Her colossal spoil came playing Beth in “Merrily We Roll Alongside” on the La Jolla Playhouse in California in 1985, the important production exterior Contemporary York. La Jolla ingenious director Des McAnuff later set her into “Mountainous River” on Broadway, marking her debut on the Mountainous White Map.
She would work three cases on Broadway with Brian Stokes Mitchell — “Ragtime,” ”Kiss Me, Kate” and “Man of La Mancha.
” (They would furthermore work off-Broadway in a dwell performance model of “Kismet.”) One of her proudest accomplishments was once originating a Stephen Sondheim feature — Clara in 1994’s “Ardour.
When “Kiss Me, Kate” opened on Broadway in 1999, Diversity mentioned “her pure and versatile soprano is Mazzie’s most generous attribute. When the expose went to London, the Diversity reviewer there mentioned Mazzie was once “blessed with a mouth that looks to be as if it must also just like the Victoria Palace entire.”
Mazzie was once furthermore a many times booked singer at concert occasions in some unspecified time in the future of the nation, playing Carnegie Hall, the Hollywood Bowl and with the Boston Pops, Contemporary York Pops and the Contemporary York Philharmonic.
Her off-Broadway credits consist of “Carrie” and “White Rabbit Pink Rabbit.” She launched the dwell album “”Marin Mazzie: Form Your Comprise Roughly Music” in 2015.
She met her husband, Danieley, in 1996 on the now-defunct theater company En Garde Arts while working on “Trojan Females: A Tackle Chronicle.” They many times took their love affair onstage, set out an album of duets, “Opposite You,” in 2005 and seemed collectively within the autobiographical cabaret expose “He Acknowledged/She Acknowledged.” Mazzie and Danieley furthermore starred in Los Angeles productions of “Brigadoon” and a Pasadena production of “110 within the Color.
On TV, Mazzie seemed in “And not utilizing a Hint,” ”Quiet Standing,” ”Nurse Jackie,” ”The Mountainous C” and “Atomize.” Her off-Broadway roles included a revival of the musical “Carrie,” in which The Contemporary York Events mentioned she “brings out an surprising emotional delicacy in her persona’s numbers.
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